![]() That opinion should only ever be viewed in the spirit of constructive criticism in a writing workshop. I reserve the right to change my opinion. (I work remotely in Tokyo.) It’s a reflection of how I felt at the time and how my interests aligned with those of my editors. This portfolio demonstrates some of what I’ve learned and a little of how I’ve matured while writing about Hollywood from an overseas perspective. The more I learn about the craft and commerce of film, the more humbled I am by how much more there is yet to know. Just a little disclaimer from an OCD gent whose early writing may yet be naïve in the way of a fanboy or dilettante. I can request corrections, but certain things are above my pay grade to fix. There may be occasional published typos, screwy images, or other goofs and glitches, in part because the /Film site underwent an infinite-scroll redesign in 2021, streamlining its former multi-page layout but throwing some of the old formatting out of whack. ![]() The links here run the gamut from 500-word articles to deep dives over 3,000 words (and everything in between).įor the most part, I’m proud of the work I’ve done, though it’s obviously not perfect. ![]()
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